Tuesday, November 9, 2010

East Coast? West Coast? NO COAST!


Let the countdown to mass craziness begin, baby. Here's all you need to know:

What: No Coast Craft-o-Rama
When: De-cem-ber 3rd & 4th
Where: Midtown Global Exchange building in Minn-e-apolis
Who: Craft-er-all and a boat load of some of this region's coolest artists and handmade geniuses
How Much: How much you got? ;)

Seriously, I'm psyched and totally inventory deficient. Going to stock up first on some bulk "Midnight Oil" so I can burn the heck out of it.

Tuesday, November 2, 2010

Locally Harvested

Yesterday, I dropped off some work to be included in my first, official, fine art show. I've been slow to adopt the title "Artist" and have come a long way from making greeting cards to what I do now. This show marks my foray into gallery shows, and I'm pretty excited about it.

The Show: Locally Harvested "small art - big beauty". Held within the Capstone Gallery at 4325 Nicollet Ave S. in Minneapolis, November 12 - December 28. Opening Party will be November 19, from 6 - 9 p.m.

The Works:

"Reincarnations No.1" & "Reincarnations No.2"

These pieces represent an idea I've had rumbling around in my head and in my sketchbook for at least a year. I wanted to play with the silhouette trend that's been hot lately, and yet do something new and maybe meaningful with it. For this work, I've tried to capture the sense that we go through a series of different selves as we age, and that somewhere inside us, there are traces of ourselves as younger and younger "reincarnations."

These are some of the first pieces I've designed digitally for the Silhouette cutter. The newer software application is so much easier to use and has opened up a new world of cutting possibilities for me. So far, I'm quite pleased with the results.


This is another idea I've had for a long time: to create a topography-type piece in sections for a puzzle-like look. The result turned out better than I expected. I am digging the "friction" caused by seeing the flow of the water subject interrupted by the separation. Perhaps it's a comment about how we've disrupted the land around us. Or perhaps it's just neat.


This piece is similar to "Flow" in that the subject has been sliced apart, but here, I've mounted them on a single piece of cardstock, and then elevated two of the pieces for more depth. I'm playing with the idea of topography, the height of the land, and the disruption of the status quo.


Cut from 14 layers of brown and cream cardstock, this work has both the mountain and the quarry from which it was "mined" as equal halves of the same material.

"Clary Lake"

My last piece is an homage to Mr. Charles Clary, a contemporary paper artist to whom I've been nicely compared by some. I tried to mimic Clary's technique of layering with space in between the layers, while still maintaining my flair for topography, land and water.

This was my first experiment with this and I have to admit that my respect for the precision and complexity of Clary's work rose immensely throughout this process.

While working on these delayed my production of some custom requests and general shop stocking, the show is exactly the motivation I needed to work out some of these ideas, and feel a little more worthy of the title, "artist."

I'd love to hear what you think of these. And I'd really love to see you at the show!

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